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Daniel Tarcsi was born in 1985, Budapest.

He began to be interested in fine art at a young age. At first he worked with photography,

but later committed to painting. In his early career, he received numerous professional accolades from his constituents and Mentors. At a young age, he was given an opportunity to introduce himself. His works are found in many private collections worldwide.

You can also follow the deep thought of your own early work, which is a unique form of the language. In later years, it developed a unique technical feature, which can be considered as a trademark, a set of color fields that are created from small intersecting strokes. It builds images of these fine elements and constructly works on each other.

It is often parallels with the Impressionist and Pointilistic aspirants. Although it is constructed from separate color patches,

its works are much more tied to the lyrical geometry. The theme is mostly from nature, pictures and experiences that you abstract in your own way. Workflow is complex. His creation is interpreted as a kind of meditation. The art of classical painting, which the artist himself is able to build in his paintings, is absolute. It is coupled with timelessness and coloritic work.

I am seeking a clear pictorial world…

The human as person, is omitted from my works. In most cases – a natural scene or experiences of space that touches me,  and by implemented them into my own processing, are then placed on canvas. The conventional, Eucledian space ceases and instead a simplified construction is created.  Tiny cross strokes are building layers on each other as a net. The picture is constructed by different plane shapes and projection fragments.  Small details are readmitting the clear and visibly separated contrast of borders, due to the handling of paintbrush. An interesting coherence born between conscious and accidental.  

The painting as a map...

The pictures are following and reflecting every moment of the creation process. The changing thickness of  material or some more  powerful gesture are mirroring the current emotional state. Imaging of the temporal and transcendent  in a picture. Every element represents a power which regularized in different ratios compared to each other on the space of the picture. These fragments representing our world and our position in it, therefore it could be visualized further ontologically…

Layers

 

Overlapping parts of the soul that form a structure on the canvas as part of the creative process. The refined pictorial forms, at first roughly spread out and then connected to each other, filling the space. Picture in picture, connections are made. Sharp shapes and lines give each other a relationship and create a pictorial world. The strict geometry is softened by soft colors and finely crafted details, which give the images their uniqueness. The work has stages of conscious, planning, and instinctive “flow”. This method gives it its specific formal language character. The intersecting brush strokes are placed on the canvas like a net. The shape and color range of the images are always narratives of the given state, which often overlap, in new and new layers, even completely obscuring the previous one.

The visual defaults are based on natural phenomena and observations, and often have a deeper meaning. The process and experience of creation is very important, a finished image is only a stop on the journey. As a result, works created in a process are in dialogue with each other, often serial pieces are created.

© Daniel Tarcsi  2019

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© Daniel Tarcsi  2019

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